SuklAmbara-dharam-viShNum-SaSi-varNam-caturbhujam|
prasanna-vadanam-dhyAyEt-sarva-vighnOpaSAntayE||
SrIgurbhyOnamaH
prapada-jita-kUrmam-Urmila
karuNam|bharma-ruci nirmathana dEham|
Sruti marma varma
SambhOh kiMcana narma mama Sarma nirmAtu||
(Arya
Dvisati-175)
May Sambhu’s tattva -
that is beyond words – whose feet’s upper part wins over that of a tortoise,
with waves of kindness and whose radiance defeats the glittering shine of gold,
with the armour called Veda’s secret, bestow happiness upon me.
kUrmapruShTha-jaiShNu-prapadAnvitA
kUrma-pruShTa
– top hard shell portion of tortoise
jayishNu
– wins over
prapada
– top portion of feet (pAdAgram prapadam – Amara-kosam)
anvita
– one who has
brahmaNastEjasA pAdau
(Brahmanda purana 82.15) The upper portion of Amma’s
feet (formed with Brahma’s tejus) defeats the shell of a tortoise in its
beauty.
rOma-svEdaiSca-rahitam
masruNam mrudu-mAmsalam|
pruthulam gUDasiraH
Sastam pAdapruShTham samunnatam |
(Bruhat samudrika)
A glossy, tender, wide, fleshy and a
bulky top part that hides the veins without hairs and sweat, is considered to
be the ideal characteristic feature for the upper part of feet.
Amma’s
feet with such best samudrika features are compared with the shell of a
tortoise by Vagdevatas. The top portion of women’s feet are often
compared with the tortoise shell by poets! They might have learnt this from
these Vagdevatas!!
Tortoise shell is very hard and Amma
is Mahalavanyasevadhi! Sankara Bhagavatpada in Soundaryalahari 88th
sloka wonders as to how is it that the poets of yesteryears compared Her
soft, lotus like praiseworthy feet that ward off all evils, to the hard shell
of a tortoise! He goes on to mention that at the time of wedding, even Tripurantaka
had put Her feet on the grinding rock with great pity!! Here, Sankaracharya
seems to be sarcastic about the “kindness” (daya guna) of Sambhu!!
While explaining the same sloka, Kanchi
Maha Periyava referred to the 80th sloka of Sivanandalahari, where Sankaracharya
says, “Oh! Sambhu!! you seem to have practiced walking, dancing on the
rocky mountains even before I was born, so that it will be easier for you to
walk on my hard heart”. According to Maha Periyava, Adi Sankara meant to say
that ParamaSiva wanted Amma to practice walking on hard
surfaces by (suggestively) placing Her feet on a grinding rock, before
walking on his (Adi Sankara’s) rocky heart.
This is the superficial meaning.
In the names that describe
Amma’s saguna rupa, Vagdevathas used the word kacchapa/kUrma
(tortoise) in two namas, one in the Vagbhava kuta (nijasallApa-mAdhurya-vinirbhatsita-kacchapI)
and the other in Sakthi kuta (kUrma-pruShTha-jayiShNu-prapadAnvitA).
When Lalita parAbhaTTArika
emerged from the cidagni, the Devatas praised Amma with
a Stavaraja in which they described Her Viratrupa. In that
they eulogised Amma’s face as svarlOkam (svastE
mukhamudAhrutam) and feet as atala (atalam tu bhavEtpAdau).
We refer to Sathapatha Brahmana to understand the secret behind Vagdevatas using
kurma/kacchapa in the names corresponding to these two parts.
dyAvA pruthivyO hi
kUrmaH (Sathapatha Brahmanam – 7.5.1.10)
(dyauH) svarlOkam, pruthvi
are Kurma.
rucam vAcam prapadyE
manO yajuH prapadyE
sAma prANam prapadyE
cakshuH SrOtram prapadyE
(Yajur-Veda samhita
36.1)
Ruks
are obtained through speech, Yajus through mind and Sama, through
the prana.
sa yaH sa kUrmaH asau
sa AdityaH
(Sathapatha
Brahmanam – 7.5.1.6)
Vagbhava
kuta is the place of
knowledge. Since Aditya is representative of knowledge, the kacchapi
in the Vak sthana nama seems to be indicative of Rig-Veda.
yaja
dEvapUja-sangatikaraNA-dAnEShu
(Panini Dhatupatha – 1002)
The root of yajna
is yaja. According to Panini, yaja means praying to Gods
(worshiping), satsanga and offering donations. So, Yajur-Veda
is the science of sacrifices and hence is indicative of action.
yajnO
dAnam tapaScaiva pAvanAni manIShinam
(Bhagavad Gita 18.5)
By performing yajna,
danam and tapas, human beings become purer. In the whole of creation,
only human beings have the opportunity to seek salvation, by performing good
deeds with the help of their indriyas.
vruShA
vai kUrmaH (Sathapatha
Brahmanam – 7.5.1.6)
Indra is
Kurma.
The kUrma
in the nama indicating the prapadas (maHA vakyAs)
represents Yajur-Veda. As was observed in the earlier nama,
the prapada/feet is the kriyasakthi part of the Sakthi kuta. Hence, it is apt that Yajur-Veda, namely
the science of actions/sacrifices is indicated through the word kUrma here.
This way, the kacchapa in the Vaksthana and kUrma in the prapada sthana seem to be indicative of Rig-Veda (knowledge) and Yajur-Veda (sacrifices/actions), respectively.
Vagdevatas
did not refer to
the third Veda of the thrayE, i.e., the Sama-Veda. This
could be because the Sama-Veda mantras are taken from the Rig-Veda itself.
Instead of chanting the Rig-Veda
mantras with udatta and anudatta intonation, they are set to
music and are sung, in Sama-Veda (The Vedas, Kanchi Maha Periyava).
Praying that Amma,
with Her lotus like soft feet, along with Pura mathana, dance on
my rocklike heart,
SrImAtrEnamaH
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