Thursday 17 September 2020

Verses related to Creation in Soundarya Lahari

शुक्लाम्बरधरम् विष्णुम् शशिवर्णम् चतुर्भुजम्|

प्रसन्नवदनम् ध्यायेत् सर्व विघ्नोपशान्तये||

श्रीगुरुभ्योनमः

श्रीचक्रराजसिंहासनॆश्वरि श्रीललितांबिकयॆ भुवनॆश्वरि

आगमवॆदकलामय रूपिणि अखिलचराचर जननि नारायणि

नागकंकण नटराजमनॊहरि ज्ञानविद्यॆश्वरि राजराजॆश्वरि

We have learnt in an earlier post about the categorization of the 36 tattvas and the 7 pramaatas, according to Kashmiri Saivism.  According to the Saankhya sastra, the same 36 tattvas are being enumerated as 25 namely, Soul/Purusha/Atma, mind, intellect, ego, memory, five sense organs, five motor organs, five fundamental elements and five subtle elements.  Excluding the soul/purusha/atma, they are 24 in total. If the four faculties of consciousness (mind, intellect, ego and memory) are counted as one single antahkarana (Devi Bhagavatam 7.32.36-39), we would get 21 tattvas in total.  Irrespective of the number count, the creation/dissolution is filled with these tattvas.

 

कलाविद्या पराशाक्तिः श्रीचक्राकाररूपिणी

तन्मध्यॆ बैंदवम् स्थानम् तत्रास्तॆ परमॆश्वरी

सदाशिवॆन संयुक्ता सर्व तत्त्वात्मगामिनी

चक्रम् त्रिपुरसुंदर्या ब्रह्मांडाकारमीश्वरी

पञ्चभूतात्मकम्  चैव तन्मात्रात्मकमॆवच

इंद्रियात्मकमॆवच मनस्तत्त्वात्मकम् तथा

मायादितत्त्वरूपम् तत्त्वातीतम् तु बैंदवम्

बैंदवॆ जगदुत्पत्तिस्थिति संहारकारिणी (भैरवयामळतंत्रम्)

 

Parameswari in unison with Lord Sadasiva at the bindu, expands into the Sri Chakra, an exemplification of all the tattvas.

 

Now, we will see the subtle aspects of creation, hidden in Soundaryalahari’s first few verses.  Before that, let us try and interpret the subtler state of creation from which sense organs, motor organs and the five gross fundamental elements have emerged.

 

Ashta murti/ashta prakritis

The eight important aspects of tattvas through which the Paramatma is perceived by the sense organs of an individual are the ashta murti tattvas.  The gross form of creation sprung from these eight tattvas namely earth, water, fire, air, ether, sun, moon and atma/soul.  This fact is repeatedly mentioned in Vedas, puranas and other scriptures.

भूरम्भाम्स्यनलो अनिलो अम्बरमहर्नाथो हिमान्शुः पुमा-

नित्याभाति चराचरात्मकमिदम् यस्तैव मूर्त्यष्टकम्

नान्यत्किञ्चन विद्यते विमृशताम् यस्माद् परस्माद्विभो

स्तस्मै श्रीगुरुमूर्तये नम इदम् श्री दक्षिणामूर्तये नमः|| (दक्षिणामूर्ति स्तोत्रम्)

 

भूमि-earth, अम्भस्-water अनल-fire, अनिल-air अम्बरम्-sky अहर्नाथ-sun हिमान्शु-moon पुमान्-Purusha/Kshetrajna

 

 

During dissolution, all the tattvas will merge into these eight and these eight, in turn, into the trigunas and these three, into one bindu (Siva-Sakti in unison).

 

Hidden secrets of creation in the Soundaryalahari’s first few verses:

Verse 1 – शिवःशक्त्यायुक्तॊ This refers to the Siva-Sakti in union at the Bindu sthana.  According to Garbhopanishad verse 17, the embryo formed due to the union of semen and blood hardens in a month.

Verse 2, 3 – तनीयासं पांसुं The trinity of Gods (Brahma,Vishnu and Siva) emerged from the trigunas (त्रयाणाम् दॆवानाम् त्रिगुणजनितानाम् तव शिवॆ) are able to perform their duties due to an iota of dust on Amma’s feet.  अविद्यानां Since creation occurs due to the imbalance of the trigunas stocked according to one’s own sanchita karma (accumulated results of their actions in their births inclusive of the present one), the janma jaladhi in this verse, seems to indicate the triangle (trigunas) to be symbolic of the sanchita karma.

This verse seems to point to the development of the head, according to Garbhopanishad verse 17,

Verse 4 त्वदन्यः पाणिभ्याम् Our seers hinted that Bala Tripura Sundari mantra is hidden in this verse.  The eminence of Amma’s feet is eulogised in this verse.  Amma’s feet are symbolic of the eight prakritis. This is hinted at, in a very very subtle manner by Sri AdiSankara Bhagavatpaada, in Soundaryalahari (84-91). These are the eight verses that refer to the eight prakritis.  Adi Sankara Bhagavatpada, while commenting on the verse 7.4 of Bhagavadgita, says that the ashta murtis Bhumi, aapas, anala etc., refer only to the subtle tanmatras, but not to their gross forms.

 

It is also important to note that, Sankara Bhagavatpada indirectly hints at these ashtamurti tattvas (five tanmatras, manas, buddhi and ahamkara) in the verses (84-91) of Soundaryalahari, that praise Amma’s feet [Earth ( Verse 88), Water(Verse 87- refer to the nama पदद्वयप्रभाजालपराकृतसरॊरुहा) , Fire (Verse 86 kili-kili  sounds, dahana) , Air (Verse 91, Hamsa), Ether (Verse 84), Sun (Verse 85, nayana-ramaniyaaya), Moon (Verse 89, nakha, Sasi), purusha (Verse 90, mat-jiva)].

This verse seems to point to the hands and feet developed during the third month of the foetus, as mentioned in the Garbhopanishad.

हरिस्त्वामाराध्य प्रणत जन सौभाग्य जननी

Hari – Vishnu

Vishnu represents expansion. The Mohini, an avatar of Vishnu, who mesmerized the very Purahara (Lord Siva), is metaphoric of the expansion of the ashtamurti prakritis (described in the previous verse) into the sense organs, motor organs and the five fundamental elements.

From the perspective of Garbhopanishad, this refers to the waist, thighs formed during the fourth month and spinal cord, rest of sense organs, motor organs and the five fundamental elements formed during the fifth month of the foetus.

धनुःपौष्पम् मौर्वी मधुकरमयी

Ananga – Kamadeva

According to the Atharvaveda (9.2.19) and the Nasadiyasukta of Rigveda, Kama/Desire is the first vibration/spandana in the Paramatma to onset the creation.  From a microscopic point of view, the very first movement in the foetus instigated by the vital airs, occurs during the sixth month of pregnancy (Garbhopanishad-17, Srimadbhagavatam-3.31.4).

 

It appears that Adi Sankara described this first movement of the foetus, which is in the form of a bow with its head bent towards the belly, in this verse. This first movement is symbolic of the birth of Kamadeva. Kamadeva who connects the Para and Apara tattvas, enchants even the seers. Kama, Vibration and Movement are synonyms.

क्वणत् काञ्ची दामा

The Ego (Aham) of the foetus gets activated due the entry of the Supreme Consciousness in the seventh month. (Garbhopanishad-17, Srimadbhagavatam-3.31.10). Is it just a mere coincidence that Sankara Bhagavatpada describes the gross form of Consciouness, a personification of Siva (Puraripu)’s Ego, with four hands holding Paasa, Ankusa, sugarcane bow and flower arrows, in the seventh verse?

सुधासिंधॊर्मध्यॆ

At the end of the eighth month of pregnancy, due to Prasuti vayu (air generated in the womb during pangs of childbirth), the foetus turns upside down, with its head (Brahmarandhra) pointing downward and gets ejected from the womb (Garbhopanishad-55, Srimadbhagavatam-3.31.23). Usually, the baby could be delivered anytime between the eighth and the tenth month. Perhaps, this is why Acharya described a majestically seated Amma on the throne made up of five corpses, in Her abode Manidweepa, in the middle of the ocean of nectar, in the eighth verse!!

 

Praying Amma!!

श्रीमात्रेनमः

Bhandasurendra-nirmukta-sastra-pratyastra-varshini-Hara-netragni-samdagdha-kamasamjivanaushadhiH

शुक्लाम्बरधरम् विष्णुम् शशिवर्णम् चतुर्भुजम्|

प्रसन्नवदनम् ध्यायेत् सर्व विघ्नोपशान्तये||

श्रीगुरुभ्योनमः

अन्तॆवासिन्नस्ति चॆत्तॆ मुमुक्षा

वक्ष्यॆ युक्तिम् मुक्तसर्वॆषणः सन् ।

सभ्द्यः साक्षात्सुन्दरीम् ज्ञाप्तिरूपाम्

श्रद्धाभक्ति ध्यानयॊगादवॆहि ॥ (त्रिपुरसुन्दरिवॆदपादस्तवम् -27)

We have seen the broad classification of the 36 tattvas as Apara (Maya to Kshiti), Paraapara (Sadasiva, Eswara, Suddhavidya) and Para (Siva, Sakti).  In creation, the curtain over the omniscience, the omnipotence and the omnipresence of the Paramatma due to Maya, is called Tirodhana, while the unveiling of it, is due to Anugraha.  An ardent aspirant of libeartion is bestowed upon with the grace (Anugraha) of Amma to unveil the curtain.

 

In the context of the war between the demon Bhanda and the Goddess Lalita Mahatripura Sundari, it is important to understand the subtle symbolism of the army on both sides.  While the demon Bhanda/Jiva is symbolic of the latent Paramatma tattva and his army may be interpreted as the veil, the Goddess and Her army symbolize the divine saktis that help us to uncover the Paramatma tattva.

 

The demon Bhanda’s army, thirty sons, minister (Vishanga) and Commander-in-Chief (Visukra) were eliminated, respectively by the Goddess Lalita Mahatripura Sundari’s army (namely, by the Nitya devis), Bala Tripura Sundari, Mantrini Syamaladevi and Commander-in-Chief Varahidevi.  Lord Ganapati who emerged from Sakti’s glance at Lord Siva, destroyed the Vighna-yantra.  The namas described so far are indicative of removal of the covers- apara, paraapara tattvas.  Now, we come to the namas describing the victory of the Goddess over Bhandasura, symbolic of unmasking of the Siva-Sakti tattvas, thereby attaining oneness with the Paramamta.  Let us try and understand the subsequent namas that describe the war between Amma and the demon Bhandasura.

 

भण्डासुरॆन्द्र-निर्मुक्त-शस्त्र-प्रत्यस्त्र-वर्षिणी

Pranams to Amma who countered Bhandasura’s weapons and missiles, and made them powerless.

कराङ्गुळि-नखॊत्पन्न-नारायण-दशाकृतिः

Pranams to Amma who produced ten incarnations of Narayana from Her hands’ nails to attack various demonic manifestations of Bhandasura.  We will see the significance of the hands’ nails in the upcoming posts.

महापाशुपतास्त्राग्नि-निर्दग्धासुरसैनिका

Pranams to Amma who burnt up the demon’s army with the Maha-Paasupata astra (weapon).

कामॆश्वरास्त्र-निर्दग्ध-सभण्डासुर-शून्यका

Pranams to Amma who burnt up the demon along with his city named Sunyaka with the Kameswara-astra (weapon).

ब्रह्मॊपॆन्द्र-महॆद्रादि-दॆव-संस्तुत-वैभवा

Pranams to Amma who is glorified by Brahma, Vishnu (Upendra) and Mahendra and other Gods.

हर-नॆत्राग्नि-संदग्ध-कामसंजीवनौषधिः

Pranams to Amma who injected life into Kamadeva, after he was burnt with the fierce fire from the eyes of Hara.

 

After Satidevi’s disappearance, Lord Siva reaches Sthanvaasrama and undertakes deep penance.  A completely detached Lord Siva, engrossed in deep meditation is attacked by Manmatha/Kamadeva with his flower arrows. Disturbed by this, the Lord opens His eyes and stares at Manmatha.  Manmatha gets burnt at once and turns into a heap of ashes due to the intense fire that emanated from the distracted Lord’s wisdom eye (jnana netra).  Upon pleas by the Devatas, the Lord injects life with His glance and  turns the heap of ashes into a man like form.  This alter-ego form of Kamadeva is the mighty Bhanda with the resplendence of the mid-day Sun.  But since Kama-Bhanda was revived from the ashes formed due to Lord Rudra’s janangni, Bhanda has an aggressive nature and is full of demonic qualities.  Hence the name Bhandasura. (Brahmanda Purana-11.30 to 35).

 

It is this Bhandasura with whom Amma rages a war, to protect the celestials, sages and ganas.  At the end of the war, She kills the demon but brings him back to life with Her glance, upon the request of the devas.  This resurrected Kamadeva is as handsome as he was earlier, before being burnt by Lord Siva (ibid- 30.45,46).  After regaining his original form, Kamadeva falls at the feet of Amma and prays for Her dexterity, saying that “I am your slave” (daasoham) and eulogises Her.  Amma then showers Her grace on him saying “You enchant the entire creation with my grace. Even Lord Siva’s jnanagni would not burn you” (ibid 30.60).  Subsequently, Kamadeva charms Lord Siva to unite Him with Parvati Devi, successfully this time.

 

In the context of creation, the union of ParamaSiva and Parvati is symbolic of liberation. (refer to the description given in the nama, Sumeru-Madhya-Srungastha).  Liberation, for people indulging in materialistic pleasures is not only difficult to attain, but is also a flower in the sky.  For, it has been said that

न जातु कामः कामानाम् उपभोगेन शाम्यति।

हविषा कृष्णवर्त्मा इव भूय एव अभिवर्धते।।

(महाभारतम्-आदिपर्व्-संभवपर्व्-85.12, श्रीमद्भागवतम्-9.19.4,मनुस्मृति -2.94)

Desires are never satisfying.  Just as a fire fed with ghee blazes more and more, desires that are fed, are never quenched but only become more intensive.

 

Just as how a fire is covered by smoke, a mirror is masked by dust and an embryo is concealed by womb, one’s knowledge (of Self) is shrouded by desire.  Desire is the biggest enemy for an atma-jnani. (BhagavadGita-3.38,39)

 

Kamadeva attacking Lord Siva with his flower arrows is symbolic of sensual pleasures sought by the jiva.  The aggressive and demonic Bhanda, the revived form of the Kamadeva, is symbolic of the intensification of the desires (Raaga), when one tries to satisfy materialistic wishes.  This Bhandasura does not allow the jivas to become interested in liberation.

 

Sri Krishna tells Yudhishtira that Kamadeva (अवध्यः सर्वभूतानमहमेकः सनातनः) who is eternal, primeval and hidden in the entire creation, himself says in KamaGita (Mahabharata-Aswamedha Parva-13.12) that “ नाहम् शक्योऽनुपायेन हन्तुम् भूतेन केनचित् without an appropriate ploy, jivas cannot win over me”.

 

The first futile effort by Kamadeva to attack Lord Siva is indicative of the statement above made by Kamadeva himself.  The clue to win over Kamadeva is given in Brahmanda Purana.

 

Bhandasura is alive in every creature in the form of billowing waves of deep desires.  As we have learnt above, after resurrecting Kamadeva from the remains of Bhandasura, Amma blesses him with protection from the ascetic fire of Lord Rudra.  This is symbolic of the following.  Amma’s devotees, when attempting to gratify their desires necessary for living in this materialistc world, would not get aggressive demonic qualities, as their mind and senses would be under control. This means that, She blesses Her devotees with (bhoga) all required pleasures in this world.  Further, after being attacked by Bhandasura-turned-Kamadeva’s flower arrows, Lord Siva leaves His detachment and unites with Parvati Devi.  This is symbolic of liberation.  So, Amma grants both; pleasures in this world and liberation to Her devotees.

श्रीमात्रेनमः